November in Japan
Installation also available in:
FR - IT
Digital Installation – Sound and Visual Series
On September 28, 2025, we left for a two-month period in Japan, driven by the desire to immerse ourselves in a culture so different from our own. October proved to be a period marked by discovery and continuous inspiration, giving rise to the idea of creating, for the second month of our stay, a journal that was both sonic and visual. The installation November in Japan seeks to record fragments of reality over time, captured without filters or edits. It questions the perception of everyday life and the composer’s instinct within a contemporary context marked by the erosion of spontaneity and the dominance of codes, immediacy, and the pursuit of perfection.
The exhibition brings together several series, created over the 30 days of November. These unfold across four levels of this virtual museum, offering both spatial and temporal navigation.
The first room, the Space Room, invites a journey through space and time based on the geographical coordinates of our places of residence.
The second room, the Sound Room, presents the sound sketches created independently each day, forming an acoustic archive of the moment and revealing both the diversity and similarity of our compositional approaches.
The third room, the Time Room, features three photographic series captured at specific times of day: 7 AM, 12 PM, and 7 PM. In this space, time becomes the master and unveils each image at its designated moment.
The fourth, the Mirror Room, named in reference to Yayoi Kusama’s Infinity Mirror Rooms, focuses on the practice of self-portraiture and will be unveiled in early March, once all the days of November are accessible.
The installation is built progressively throughout February, revealing a new day of November each day. It will be fully accessible starting March 2.
Navigation between days is done using the button at the bottom of the screen. For a better experience, using a wide screen is recommended.